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The Well-Tempered Clavier: Books I and II, Complete by Johann Sebastian Bach
"His art was of an encyclopedic nature, drawing together and surmounting the techniques, the styles, and the general achievements of his own and earlier generations and leading to a new perspective." — Grove's Dictionary of Music and Musicians. This informed assessment of the genius of Bach's works can be applied with greatest accuracy to The Well-Tempered Clavier. This hig "His art was of an encyclopedic nature, drawing together and surmounting the techniques, the styles, and the general achievements of his own and earlier generations and leading to a new perspective." — Grove's Dictionary of Music and Musicians. This informed assessment of the genius of Bach's works can be applied with greatest accuracy to The Well-Tempered Clavier. This highly influential work is monumental in the history of Western music. It represents not only the culmination of Bach's own maturation process, but also the galvanization of the emerging style and structure of modern keyboard music. The grace and fecundity of The Well-Tempered Clavier have thrilled audiences, musicians, and composers for centuries. Mozart, when rapidly advancing to the height of his mastery, had but to read a manuscript copy of The Well-Tempered Clavier and his style developed a new polyphonic richness and depth of harmony. Beethoven studied all the accessible works of Bach profoundly (including The Well-Tempered Clavier) and frequently quoted them in his sketchbooks, often with direct bearing on his own works. Chopin is nowhere more characteristic than when he shows his love of The Well-Tempered Clavier in his Etudes and Preludes. It was Schumann who, in a series of maxims for young musicians, said "Make The Well-Tempered Clavier your daily bread." This remarkable volume contains all 48 preludes and fugues, from Books I and II, in all major keys, reproduced directly from the authoritative Bach-Gesellschaft edition. The fine engraving is beautiful, clear, and easy to read. These elegant pieces, which vary in difficulty, are available complete in one low-cost, convenient Dover edition.
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The Rite of Spring in Full Score by Igor Stravinsky
Jean Cocteau labeled this revolutionary work "a pastorale of the prehistoric world" at its premiere in Paris in 1913, when interest in primitivism was at its zenith among the avant-garde. These "Scenes of Pagan Russia" did indeed inspire primitive reactions among their opening night audience, who were so vociferous in their protests that the dancers could scarcely hear the Jean Cocteau labeled this revolutionary work "a pastorale of the prehistoric world" at its premiere in Paris in 1913, when interest in primitivism was at its zenith among the avant-garde. These "Scenes of Pagan Russia" did indeed inspire primitive reactions among their opening night audience, who were so vociferous in their protests that the dancers could scarcely hear the music. Yet this powerful work, with its novel rhythms and hitherto unheard-of chordal combinations and orchestral effects would change forever the elements of musical language and exert an enormous influence on three generations of composers. Once a scandal, it is now perhaps the most famous orchestral work of the twentieth century. It is reprinted here from the full-score Russian edition published in 1965. Like Stravinsky's scores for The Firebird and Petrushka, The Rite of Spring was commissioned by Serge Diaghilev for the Ballets Russes. Choreographed by Nijinsky, it is still a favorite of ballet audiences, and the score is one of the most performed and recorded modern works in the orchestral repertoire. Now music lovers can enjoy every note of this brilliant and stirring landmark of twentieth-century music, faithfully reproduced in this inexpensive, high-quality edition — ideal for study and for following both live and recorded performances.
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Goldberg Variations: BWV 988 by Johann Sebastian Bach
According to Bach's first biography, the "Goldbergs" were written for one of the composer's most talented pupils, who used them to entertain and soothe his insomniac master during bouts of sleeplessness. Subsequent historians have had their doubts about the story's authenticity, but the composer certainly intended his work as a diversion for listeners. Upon its 1742 public According to Bach's first biography, the "Goldbergs" were written for one of the composer's most talented pupils, who used them to entertain and soothe his insomniac master during bouts of sleeplessness. Subsequent historians have had their doubts about the story's authenticity, but the composer certainly intended his work as a diversion for listeners. Upon its 1742 publication, Bach entitled it "Keyboard Practice, consisting of an Aria with Diverse Variations, for the Harpsichord with 2 Manuals. Composed for Music Lovers, to Refresh their Spirits." As Glenn Gould remarked, the title offers a very down-to-earth description of a monumental work. Long regarded as the Baroque era's most important set of variations, the Goldbergs were relatively unknown when he chose them for his recording debut in the 1950s. The sensation created by his still-popular recordings revivified the piece in concert performances, in which spectators delight in its virtuosic hand-crossings. This affordable edition of the widely performed and appreciated work is essential for all serious pianists and music lovers.
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The Firebird in Full Score (Original 1910 Version) by Igor Stravinsky
In 1910, following his successful orchestration of selections for the ballet Les Sylphides, the innovative young composer Igor Stravinsky was commissioned by the director of the Ballets Russes, Serge Diaghilev, to create a completely new score. The dazzling result was The Firebird, a work which brought overnight success to its creator and distinguished him as the most gift In 1910, following his successful orchestration of selections for the ballet Les Sylphides, the innovative young composer Igor Stravinsky was commissioned by the director of the Ballets Russes, Serge Diaghilev, to create a completely new score. The dazzling result was The Firebird, a work which brought overnight success to its creator and distinguished him as the most gifted of the younger generation of Russian composers. Based on Russian fairy tales, the piece, according to Grove's Dictionary of Music and Musicians, has "all the coloring of a Russian child's picture book…brilliant orchestration, glowing color…an extraordinary evocative power which literally enchants the listener." Today, The Firebird is as popular and enthusiastically received as it was following its triumphant premiere in Paris more than a century ago. Greatly admired for its orchestrations and harmony, the composition is widely studied by practicing musicians and music students. Now the complete score of this modern masterpiece is available in this handsome, authoritative, and inexpensive edition, which includes a list of instruments and English translations of the stage directions.
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Hanon: The Virtuoso Pianist Sixty Exercises for Piano Complete Edition by Charles-Louis Hanon (Composer) , Theodore Baker (Translator)
(Piano Method). Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player's technique, building finger independence and strength. This was the first American edition (Piano Method). Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player's technique, building finger independence and strength. This was the first American edition released of this music, and remains a classic at a remarkably affordable price.
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The Messiah: An Oratorio Complete Vocal Score by Georg Friedrich Händel
Paper Edition. English.
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Petrushka in Full Score: Original Version by Igor Stravinsky
Stravinsky's score for the ballet Petrushka, commissioned by Diaghilev for the Ballets Russes, was first performed in Paris in 1911 and was an immediate sensation with the public and the critics. It followed by a year the great success of his score for The Firebird, also produced by the Ballets Russes, and it confirmed Stravinsky's reputation as the most gifted of the youn Stravinsky's score for the ballet Petrushka, commissioned by Diaghilev for the Ballets Russes, was first performed in Paris in 1911 and was an immediate sensation with the public and the critics. It followed by a year the great success of his score for The Firebird, also produced by the Ballets Russes, and it confirmed Stravinsky's reputation as the most gifted of the younger generation of Russian composers. The ballet had begun in Stravinsky's mind as a "picture of a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios." Soon Diaghilev had convinced the young composer to turn the work into a ballet score. Benois was chosen to be his collaborator in the libretto, Fokine and Nijinsky became involved, and the bizarre tale of three dancing puppets — Petrushka (a folk character in Russian lore), the Ballerina, and the Moor, brought to life in a tragic tale of love — would soon become one of the most acclaimed and performed of ballet masterpieces. Brilliantly orchestrated, filled with Russian folksong as well as new and striking harmonies, alternately poignant and splendidly imposing, the score of Petrushka continues to be a popular subject for the study of tonal language and orchestration. This edition is an unabridged republication of the original edition published in 1912 by Edition Russe de Musique in Berlin. Printed on fine paper, sturdily bound, yet remarkably inexpensive, it offers musical scholars, musical performers, and music lovers a lifetime of pleasurable study and enjoyment of one of the most popular and acclaimed musical works of the twentieth century.
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Fantastic Symphony by Hector Berlioz
Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. Historical background--what Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. Historical background--what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material. A detailed analysis of the music, by the editor of the volume or another well-known scholar. Other significant analytic essays and critical comments, exposing the student to a variety of opinions about music.
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371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass: Piano Solo by Johann Sebastian Bach (Composer)
(Piano Method). The great Baroque master composer Johann Sebastian Bach (1685-1750) wrote music for every combination of instruments and voices. His simplest and purest work are four-part chorale compositions and settings, so perfectly constructed that they evoke meditative spirituality. "Figured bass" was a Baroque system of notating harmony. In addition 371 chorales, thi (Piano Method). The great Baroque master composer Johann Sebastian Bach (1685-1750) wrote music for every combination of instruments and voices. His simplest and purest work are four-part chorale compositions and settings, so perfectly constructed that they evoke meditative spirituality. "Figured bass" was a Baroque system of notating harmony. In addition 371 chorales, this collection includes 69 melodies with figured bass. This classic Schirmer edition, edited by Albert Riemenschneider, has sold over 1,000,000 copies since its release in the early 20th century. Primarily for keyboard, the chorales can also be played by other instruments.
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Water Music and Music for the Royal Fireworks in Full Score by Georg Friedrich Händel
Because Handel enjoyed such success with operas and oratorios, he rarely composed strictly orchestral works; in fact, if it had not been for the personal requests of George I and George II, Handel would never have written the two beloved masterpieces reproduced in this volume. Early in his reign, George I induced Handel to compose the Water Music to accompany royal boating Because Handel enjoyed such success with operas and oratorios, he rarely composed strictly orchestral works; in fact, if it had not been for the personal requests of George I and George II, Handel would never have written the two beloved masterpieces reproduced in this volume. Early in his reign, George I induced Handel to compose the Water Music to accompany royal boating parties; for George II, many years later, Handel composed the accompaniment to the Royal Fireworks celebrating the Peace of Aix-la-Chapelle. Today, these two royally decreed masterworks are among the most popular Baroque instrumental works performed and recorded. Grove's Dictionary calls the Water Music "splendidly inventive and sonorous" and concludes that "the Music for the Royal Fireworks is still grander. Now, in one remarkably affordable volume, here are the full scores reprinted without alteration from the authoritative Deutsche Händelgesellschaft edition of 1886. Musicians, students, and musicologists can finally study and enjoy both scores with Handel's final arrangements and orchestration untouched by modern rescoring or editing of any kind: Water Music incorporates at least two and probably three suites from around 1717 composed in different keys (F, D, and G) for different instruments, a large woodwind (including double bassoon), three timpani, and a powerful string section. Any musician or fan of the Baroque or of Handel in particular will welcome this exciting inexpensive playing edition of two of the best-loved works of the period — today more popular than ever. Large, readable noteheads, ample margins, opaque paper and permanent binding make this a fundamental addition to every musician's library and absolutely essential for the Handel devotee.
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Requiem in Full Score by Wolfgang Amadeus Mozart
The Requiem was not only one of Mozart's most inspired works, it was one of his last. It was commissioned in the summer of 1791 to memorialize the deceased wife of Count Walsegg-Stuppach, an amateur musician who was in the habit of ordering works from composers and presenting them as his own compositions. But his dubious patronage arrived only weeks before the rapid declin The Requiem was not only one of Mozart's most inspired works, it was one of his last. It was commissioned in the summer of 1791 to memorialize the deceased wife of Count Walsegg-Stuppach, an amateur musician who was in the habit of ordering works from composers and presenting them as his own compositions. But his dubious patronage arrived only weeks before the rapid decline in Mozart's health that would end in the composer's death by the year's end. At the invitation of Mozart's widow, one of the master's pupils worked from oral instructions and sketches to finish the nearly completed work. In the centuries since, Mozart's Requiem has come to be embraced as a masterpiece of vocal composition. One of the most recorded and performed standards of the repertoire, here reprinted in an authoritative edition, it combines the voices of orchestra, chorus, and soloists into a deeply moving, elegiac work of great intensity.
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Complete Piano Sonatas, Volume 1 (Nos. 1-15) by Ludwig van Beethoven , Heinrich Schenker (Editor)
The entire corpus of Beethoven's piano sonatas is contained in this two-volume work — 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathétique, Moonlight, and Pastorale sonatas. Volume Two contains the 17 sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Ha The entire corpus of Beethoven's piano sonatas is contained in this two-volume work — 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathétique, Moonlight, and Pastorale sonatas. Volume Two contains the 17 sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier. The music is reproduced directly from the exemplary Universal Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. He used more autographs as sources than any previous editor of the sonatas, and he was the first to reproduce in print the visual impression of the autographs. For this Dover edition, Schenker's footnotes have been translated into English and his preface translated. A new introduction by Carl Schachter has also been included. Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, etc. Running measure numbers and many fingerings have already been included by the editor — the last a particularly unusual and valuable feature of this edition. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment.
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Etudes: Piano Solo by Frédéric Chopin , Arthur Friedheim
The aim of this Urtext edition is to present as far as is possible the text and notation that reflects most completely the original intentions of the composer, drawing upon the most important sources. Chopin's original manuscripts, the French and German first editions, and surviving the contemporary handwritten copies have been consulted. Editorial editions in the music ha The aim of this Urtext edition is to present as far as is possible the text and notation that reflects most completely the original intentions of the composer, drawing upon the most important sources. Chopin's original manuscripts, the French and German first editions, and surviving the contemporary handwritten copies have been consulted. Editorial editions in the music have been restricted only to those exceptional cases where they are obviously necessary. Chopin's fingerings have been preserved with no others added in the awareness that some of them, arising from his unusual piano technique, are on occasion very strange to the modern performer. The same applies to pedal markings, which only approximate Chopin's performance and must be interpreted by the performer for today's instruments. A section of notes details the discrepancies between sources.
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The Nutcracker: Complete Ballet in Full Score by Pyotr Ilyich Tchaikovsky
Tchaikovsky's enchanting Christmas fairy tale is his most popular work and, along with Swan Lake, the world's most frequently performed ballet. The work is a masterpiece of orchestration (including the historic first use of the celesta, in Dance of the Sugar-Plum Fairy) and is essential study for students of orchestral combinations and effects. Musicians will rejoice that Tchaikovsky's enchanting Christmas fairy tale is his most popular work and, along with Swan Lake, the world's most frequently performed ballet. The work is a masterpiece of orchestration (including the historic first use of the celesta, in Dance of the Sugar-Plum Fairy) and is essential study for students of orchestral combinations and effects. Musicians will rejoice that previously difficult-to-find favorites like Waltz of the Snowflakes and Spanish Dance (Chocolate) are now available, along with the rest of this beloved score, in an affordable, single-volume edition.
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Two and Three-Part Inventions by Johann Sebastian Bach
Reproduction, in its original size, of the 1723 manuscript which represented the composer’s final intentions.
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